In 1888, Federici, the singer in Gounod’s Faust playing the part of Mephistopheles died on stage while descending into hell. And his ghost has haunted Melbourne’s Princess Theatre ever since. So, is it foolhardy to make a bargain with the devil, or should Faust go to heaven in the end? Would that relieve the ghost of its anxious haunting?
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How robust is European culture? After the economic impact of the GFC, how have the region’s creative industries fared? This series checks the health of the cultural canary in the European coal mine.